From 1997 through 2007, Kansas City’s gay community boasted a cultural institution that many larger cities would have coveted. Inspired in part by the antics of Charles Ludlam’s Ridiculous Theatrical Company in New York and propelled by a late-20th-century vogue for parodying the melodramatic pretense of earlier decades, the Late Night Theatre company delighted the city with a steady supply of theatrical subversion.
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