Saturday, April 20, 2013

Metropolitan Ensemble "Pride's Crossing" review by Deborah Hirsch

A pretty young woman dons a robe and slippers and takes to a walker, aging within moments from a vibrant youth to an elderly and ill woman. Celia Gannon's uncanny transformation, in the first minutes of Pride's Crossing, gives authenticity to her characterization of Mabel Tidings — child, teenager, young woman, nonagenarian — as she travels back and forth through the stages of her life.

more at the Pitch

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