There is a sense of space and gravity... of invisible forces and large-scale coherence in the moves by Midori (五嶋 みどり, Gotō Midori), especially in her performance of the Shostakovich, Op. 134, with pianist Özgür Aydin. It is as though each phrase is a consequence of something more remote than what the immediately preceding bars contained. Her recital tonight was like an expedition.
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