Sunday, March 10, 2013

UMKC Conservatory Composer's Guild review by Sai Srikar Kadiyam

It’s up for debate how much feeling a musician can put into an instrument.  It’s easy to attest that “feeling” comes from the amount of emotion and ferocity that the operator expresses while playing or the volume at which he or she plays, but it requires some of the highest understanding of the connection between instrument and musician to make a cello wail with sorrow.

more at the University News

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