“The Flying Dutchman” remains in the repertoire of opera companies
 today not primarily because of its own intrinsic value, but because it 
is an embryonic seedling to the mighty forest that would become 
Wagnerian opera, changing music’s history. If it were not for Richard 
Wagner’s later output, with its revolutionary style and fanatical 
obsession, this work would likely be lining paper in the drawers of 
operatic history.
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