Trey McIntyre’s choreography is all-encompassing — as gorgeous as Tudor, as innovative as Paul Taylor, as audacious as Twyla Tharp, and as inventively detailed as William Forsythe. Yet it is distinctive, with a huge vocabulary that is continually surprising and fun, even when dealing with serious subjects. The appearance of this nine-member company on the Harriman’s opening night (one of whom was missing because of a back injury) was an auspicious start to what promises to be one of the most interesting local performing-arts seasons in years.
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