That Paul Rudnick is one of the nation’s funniest (and frequently most subversive) writers is well known. His humor pieces for The New Yorker and Premiere magazines, screenplays for In & Out, and Jeffrey, (the latter of which began as a stage play), and several book titles have established him as one of the comic masters of our time. In these works and others, he lampoons society’s outdated, homophobic institutions with abandon, and does it with a comic genius that lets a non-stop stream of hysterical one-liners flow on stage.
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