Wednesday, October 31, 2012
"Split the Check" short film by Patrick Rea
It's officially Halloween, and to help kick off the day's festivities, we have the online debut of the latest short film from Patrick Rea and SenoReality Pictures, Split the Check. Enjoy... and be careful whom you share tonight's dinner with!
Midland Theatre ghost tour
Michelle & Michael take a first-of-its-kind ghost tour inside Kansas City's Midland theater.
Aurelie Roque flash-mob marriage proposal on Fox 4 News
Robert proposed to Aurelie on Saturday,
October 27th, 2012, by the JC Nichols Fountain on the Country Club Plaza
in Kansas City! I was fortunate enough to shoot the Flash Mob that
ensued, video to come! Special Thanks to reporter Monica Evans and
photojournalist Phil Maslin for covering the event! Videography by Scott
Smith and Alec Schwartze. Special Thanks to Zumba by Mandy in Kansas
City for choreography!
Robert proposed to Aurelie on Saturday,
October 27th, 2012, by the JC Nichols Fountain on the Country Club Plaza
in Kansas City! I was fortunate enough to shoot the Flash Mob that
ensued, video to come! Special Thanks to reporter Monica Evans and
photojournalist Phil Maslin for covering the event!
Dancer/actor Eric Tedder interview by Grace Suh
I was a dancer in “Beauty and the
Beast” at Lawrence Community Theater when I was 18. Then I started
auditioning and kept getting roles.
more at Ink
Read more here: http://inkkc.com/content/party-people-eric-todder-obama-for-america-volunteer/#storylink=cpy
more at Ink
Read more here: http://inkkc.com/content/party-people-eric-todder-obama-for-america-volunteer/#storylink=cpy
ARTSConnect awards $20,000 in grants to Topeka organizations
ARTSConnect Topeka has distributed $20,000 in performing arts grants to a dozen local nonprofit organizations.
more at the Topeka Capital Journal
more at the Topeka Capital Journal
Playwright Vicki Vodrey stranded in New York
Kansas City-based playwright Vicki Vodrey will have quite a story to
share when she gets back to town. She was in New York City for an awards
ceremony, but thanks to Superstorm Sandy, she’s going to be there for a
while longer.
more at Fox 4 News
more at Fox 4 News
Hearne Christopher questions "Waterfire" headcount
Let’s talk about, oh, investigative journalism for a minute… Specifically WaterFire, of KC’s most over-hyped non-event, event. Think of it as an outdoor, New Age send-up featuring “55 floating braziers” in Brush Creek with a mix of performances by local arts groups, fire eaters, jugglers and the like.
more at KC Confidential
more at KC Confidential
KC Repertory "Mystery of Irma Vep" review by Steve Wilson
It is amazing the amount and quality of talent that can be found in the Kansas City area. It has never been more evident than Friday night at the Kansas City Repertory Theatre production of “The Mystery of Irma Vep (A Penny Dreadful)”, starring Mark Robbins and Ron Megee. The play written by the late Charles Ludlam is a sidesplitting romp that is perfectly suited for the Halloween season. The audience is meet with a barrage of characters; vampires, werewolves and mummies, oh my.
more at Examiner.com
more at Examiner.com
Tuesday, October 30, 2012
Filmmaker Jefferson Donald interview by Lonita Cook
Filmmaker Jefferson Donald chats with Lonita Cook.
Quixotic interview by Michael Mackie
We talk with
Quixotic Fusion business manager Dan Barickman, aerialist Megan Stockman
and dancer Laura Jones.
David Witter wins Sinquefield Composition Prize
The University of Missouri School of Music and the Mizzou New Music
Initiative are pleased to announce that David Witter is the winner of
the 2013 Sinquefield Composition Prize. Witter, who holds both
bachelor’s and master’s degrees in composition from Mizzou, submitted
his piece “Garden Music” to the competition and was selected for the
prize by a panel of independent judges.
more at the Mizzou New Music Initiative
more at the Mizzou New Music Initiative
Jay Oetman "Rocky Horror" interview by Kristi Luther and Mary Elgin
There are few things Jay Oetman won’t do for theater. He has a bruise to
prove it, one he acquired from falling down stairs in 4-inch heels.
more at the Missourian
more at the Missourian
Carla Mock "Divas Dancing for Divas" interview by Michelle Davidson
Now you can channel
your inner diva, dance and help out a great cause. Carla Mock is the
chairperson for "Divas Dancing for Divas" and the owner of Stiletto Gym.
She tells us about the event and how it helps Newhouse Domestic
Violence Shelter.
KC Repertory "Mystery of Irma Vep" review by Alexia Lang
It’s spooky, it’s kooky and it’s altogether fun – “The Mystery of Irma Vep – A Penny Dreadful” that is. Now showing at the Kansas City Repertory Theatre, “Irma Vep” is a fun feature of two local talents, Mark Robbins and Ron Megee.
more at the Vignette
more at the Vignette
Metropolitan Ensemble "Kentucky Cycle Part 1" review by Robert Trussell
I’d waited a long time – much too long, really – for a Kansas
City theater company to stage Robert Schenkkan’s tragic historical
epic, “The Kentucky Cycle.” The wait is over, thanks to the
Metropolitan Ensemble Theatre, which is tackling the monumental work and
dishing it up to audiences in the intimate confines of the MET. The
results are impressive, even if the Sunday matinee looked a little rough
around the edges.
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/29/3890406/the-kentucky-cycle-is-a-dark-portrait.html#storylink=cpy
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/29/3890406/the-kentucky-cycle-is-a-dark-portrait.html#storylink=cpy
"Waterfire" review and photos by Tony Botello and midtownkcposter
This was the biggest and best year yet for Waterfire Kansas City. The cold didn't cut down the crowd as much as I would have imagined.
more at Tony's Kansas City
and at the Midtown KC Post
more at Tony's Kansas City
and at the Midtown KC Post
Unicorn "Bloody Bloody Andrew Jackson" preview
Watch cast thrash during Bloody Bloody Andrew Jackson and hear what it's like to be a rock star every night!
Monday, October 29, 2012
Harry Allen, John Allred, Topeka Jazz Workshop review by Chuck Berg
What an afternoon! The justly ballyhooed tandem of tenor saxophonist
Harry Allen and trombonist John Allred put smiles on Topeka Jazz
Workshop patrons filling the Regency Ballroom of the Ramada Hotel and
Convention Center on Sunday. They also put fingers and toes to work with
irresistibly smoking cookers, such as “Dinah”!
more at the Topeka Capital Journal
more at the Topeka Capital Journal
River City Community Players "Little Murder Never Hurt Anybody" by ghostpug6
Title: A Lot of Entertainment
Rating: 4
A Little Murder Never Hurt Anybody
River City Community Players
Though the plot might be a bit hard to buy (telling a spouse that your New Year's resolution is to kill her before next New Year's Day), this story works because of some excellent performances by the actors. Best of all is Rich Bayse. His portrayal of inept Detective Plotnik is absolutely brilliant. His lines are funny and his physical comedy superb. I've seen a good bit of theater here at the local and KC Rep level, and he could work and excel on any stage. Bayse is a gifted actor and shows it in this play.
Rating: 4
A Little Murder Never Hurt Anybody
River City Community Players
Though the plot might be a bit hard to buy (telling a spouse that your New Year's resolution is to kill her before next New Year's Day), this story works because of some excellent performances by the actors. Best of all is Rich Bayse. His portrayal of inept Detective Plotnik is absolutely brilliant. His lines are funny and his physical comedy superb. I've seen a good bit of theater here at the local and KC Rep level, and he could work and excel on any stage. Bayse is a gifted actor and shows it in this play.
Unicorn "Bloody Bloody Andrew Jackson" review by Detailer
Bloody, Bloody Andrew Jackson
Rating: 4
Bloody Bloody Andrew Jackson
Unicorn Theatre
With Bloody, Bloody Andrew Jackson, the Unicorn again offers an irreverent twist on a timely topic. This election season gives us the wild and, yes, bloody times of Andrew Jackson, and it's eerily relevant to the election of 2012. References to bankers, Bush, guns, posters, prejudice, and the fickle public, among other topics, keep the 19th century pointing a mirror to today. Humorous anachronisms emphasize that.
Rating: 4
Bloody Bloody Andrew Jackson
Unicorn Theatre
With Bloody, Bloody Andrew Jackson, the Unicorn again offers an irreverent twist on a timely topic. This election season gives us the wild and, yes, bloody times of Andrew Jackson, and it's eerily relevant to the election of 2012. References to bankers, Bush, guns, posters, prejudice, and the fickle public, among other topics, keep the 19th century pointing a mirror to today. Humorous anachronisms emphasize that.
Metropolitan Ensemble "Kentucky Cycle Part 1" review by BobEvans
Rating: 5
Kentucky Cycle Part I
Metropolitan Ensemble Theatre
Old time Kentucky Shows True Grit
If you like westerns and true grit and a new sense of pioneer realism, go see The Kentucky Cycle at the MET, and be prepared for an extensive look into the unglamorous past of the characters that shaped the American nation.
KC Repertory "Mystery of Irma Vep" review by Robert Trussell
There are moments in Kansas City Repertory’s delightfully absurd
production of “The Mystery of Irma Vep” when you may decide you’re
watching a duel of titans. Sort of.
more at kansascity.com
more at kansascity.com
"Waterfire" photos and Nathan Granner interview
Raised and trained here in Kansas City, Nathan Granner has gone on to
become one of the most recognized and well-respected American tenors
across the globe. He joined us in studio to talk about his career and
his involvement in this weekend’s WaterFire KC.
photos at Eric Bowers Photoblog
photos at Eric Bowers Photoblog
Sunday, October 28, 2012
Shae Estes, Fado Novato "Fado de defesa" performance
Fado Novato: Beau Bledsoe (Portuguese
guitar), Jordan Shipley (Spanish guitar),Jeff Harshbarger (bass) and
vocalist Shay Estes launched their new project last week at Grunauer in
Kansas City, then at a private event in a perfect, off-the-radar
location on Sunday night, where I shot this song. Fado is a Portuguese
folk-song tradition celebrating heartache and everyday struggle.
Shades of Jade "Youth Education Program" by Plastic Sax
The credulous questions posed by prominent Kansas City-based jazz
artists dripped with skepticism last Thursday at the Mutual Musicians
Foundation. Shades of Jade
was hosting an event billed as a "Youth Education Program to expose
people of ages (15-28) of the relevance of Jazz music in our mainstream
society and in their local community."
more at Plastic Sax
more at Plastic Sax
Bar Natasha "Girly Show" reunion behind the scenes
In 2006, Missy Koonce brought Bar
Natasha "The Girly Show". Now six years later, they've reunited for a
limited engagement in Kansas City at Missie B's & the Uptown Arts
Bar in November!
KC Symphony, Eighth Blackbird review by Timothy McDonald
Most concertos feature one soloist playing with an orchestra,
and a smattering of works feature two or three. Enter eighth blackbird,
a contemporary chamber ensemble that served as a six-person solo group
with the Kansas City Symphony on Friday night at Helzberg Hall.
more at kansascity.com
more at kansascity.com
Starlight 2013 Season preview by Robert Trussell
Starlight Theatre’s 2013 will include two touring productions and four shows produced or co-produced by Starlight. During
the course of the season, Starlight will team up with other notable
regional theaters, including the Paper Mill Playhouse in New Jersey,
Theatre Under the Stars in Houston and the Pittsburgh Civic Light Opera.
more at kansascity.com
more at kansascity.com
Ron Megee, Mark Robbins "Mystery of Irma Vep" interviews by Michelle Davidson
Thursday, October 25 - Friday night is
opening night for the latest Kansas City Rep production "The Mystery of
Irma Vep." As actors Mark Robbins & Ron Megee show us this is a play
with 2 actors but multiple characters, including both genders.
Apollo's Fire, Friends of Chamber Music review by Erin Hale
Immersed as we are in today’s harried, drive-thru-coffee-shop zeitgeist,
it is easy to forget just how pivotal a role the humble cup of coffee
has played in Western culture since its 18th-century debut on Europe’s
shores. Cleveland-based Baroque orchestra Apollo’s Fire sought to remind
its Folly Theater audience of this simple fact as they harkened back to
the Collegium Musicum soirées at the Catharinenstrasse coffee-house in
Leipzig.
more at the Independent
more at the Independent
Saturday, October 27, 2012
Alamo Drafthouse "Don't Talk or Test During Movies" video contest
Calling all filmmakers and film lovers! It is your chance to creatively tell Drafthouse audiences not to talk or text during the movies with our new Filmmaking Frenzy, “Don’t Talk or Text During Movies!” You could win $1,000 and your video creation could screen nationwide! Read on to our press release for additional prizes, rules, guidelines and how to submit.
more at the Alamo Drafthouse
more at the Alamo Drafthouse
Friends of Chamber Music Benefactor's Party photos by Don Ipock
The beautiful home of Anita and Gary Robb was the setting for a Benefactors’ Party for Prelude: A Celebration of the 48th Season of the Harriman-Jewell Series. Excitement was in the air for the Prelude
event which was held at Indian Hills Country Club on September 24th.
Linda and Dr. Burnell Landers were the honorary chairmen, and Gretchen
Jacobson served as the chairman.
more at the Independent
Metropolitan Ensemble "Kentucky Cycle" preview by Robert Trussell
Theater is really pretty simple business. All you need
are more than 25 actors, between 150 and 200 costumes, an armory of
functioning stunt guns, a director who thinks like a field marshal — and
before you know it, you’re in business.
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/24/3881405/small-theater-takes-on-a-big-kentucky.html#storylink=cpy
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/24/3881405/small-theater-takes-on-a-big-kentucky.html#storylink=cpy
Trumpeter Shunzo Ohno interview by Joe Klopus
Trumpeter Shunzo Ohno is a seemingly shy and modest guy, and
the kind of player who wins you over with subtlety and songfulness, not
with cascades of notes.
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/24/3881227/trumpeter-shunzo-ohno-proves-power.html#storylink=cpy
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/24/3881227/trumpeter-shunzo-ohno-proves-power.html#storylink=cpy
UMKC Theatre "Lady from the Sea" review by Deborah Hirsch
Henrik Ibsen had a thing for trapped women, and in 19th-century Norway, the limits of social station left many women feeling trapped. Ibsen's access to the female psyche still feels insightful today.
more at the Pitch
more at the Pitch
Unicorn "Bloody Bloody Andrew Jackson" review by Deborah Hirsch
Think politics are lie-filled, money-driven and negative now? Go back
a couple of centuries and 38 presidents and ask Andrew Jackson — or,
anyway, the rock-star version of Old Hickory portrayed in the Unicorn
Theatre's Bloody Bloody Andrew Jackson.
more at the Pitch
more at the Pitch
Lawrence Arts Center "Threepenny Opera" review by Deborah Hirsch
If you prefer your musical satire driven by an anti-hero, then you
know "The Ballad of Mack the Knife." The song opens German dramatist
Bertolt Brecht and composer Kurt Weill's most durable collaboration, The Threepenny Opera, the still-vital 1928 work now onstage at the Lawrence Arts Center in a well-executed, enjoyable production.
more at the Pitch
more at the Pitch
Americans for the Arts grades congress on the arts
Americans for the Arts Act Fund PAC has prepared the 2012
Congressional Arts Report Card as a one-stop guide that contains metrics
and analysis based on official congressional voting records,
sponsorship of key arts legislation, and participation in the cultural
caucuses.
more at Broadway World
more at Broadway World
Friday, October 26, 2012
Uptown Arts Bar "Tango Tuesdays" promo
Free tango lessons from 7 to 8pm. Tango dancing from 8pm for the rest of the evening.
Jill Sixx "Slaughter Movie House" interview by Justin Kendall
I was asked to host a
horror film festival, Shock-O-Rama’s Gorefest, in Minneapolis October
26. I am bringing with me the three feature films and two of the shorts
that I’ve already played here in KC, so it’s kind of like I’m taking
Slaughter Movie House on the road!
more at the Pitch
more at the Pitch
UMKC Theatre "Lady from the Sea" review by DeborahBuckner
An Easy Choice
Rating: 4
The Lady from the Sea
UMKC Theatre
UMKC Theatre brings the sea to Spencer Theatre with its production of Henrik Ibsen's "The Lady From the Sea". The show runs through October 28 and should not be missed.
The Lady from the Sea
UMKC Theatre
UMKC Theatre brings the sea to Spencer Theatre with its production of Henrik Ibsen's "The Lady From the Sea". The show runs through October 28 and should not be missed.
Carol Grimaldi "Waterfire" interview by Michael Mackie
The WaterFire Kansas City public art installation returns to Brush Creek
for the sixth straight year. WaterFire board president Carol Grimaldi
previews this Saturday's event, which features water, fire and live
music.
more at Fox4 News
and at the Midtown KC Post
and more here
more at Fox4 News
and at the Midtown KC Post
and more here
Deborah Brown "All Too Soon" interview by Susan Wilson
Kansas City-based singer Deborah Brown says her new CD, All Too Soon, explores hidden gems of jazz songs.
more at KC Currents
more at KC Currents
Nathan Boyer, Anne Thompson "Strange Skies" interview by Aarik Danielsen
Serial Box Projects
is simple in execution, profound when encountered. A sequence of silent
films projected in outdoor spaces and onto building facades, the
ongoing festival brings Columbia audiences in proximity to visually
stimulating, conceptually compelling cinema in which the absence of
sound merely provides an opportunity to amplify the experience of the
other senses.
more at the Columbia Daily Tribune
more at the Columbia Daily Tribune
Tour the KC Symphony Showcase House
Lindsay Shively is at this year's Symphony Showcase Home on Ward Parkway.
Starlight Theatre 2013 Season
SPAMALOT May 31-June 6, 2013
Monty Python's Spamalot is the outrageous musical comedy lovingly ripped off from the film classic "Monty Python and the Holy Grail." With music and lyrics by the Grammy-Award winning team of Eric Idle and John Du Prez, Spamalot tells the story of King Arthur and his Knights of the Round Table as they embark on their quest for the Holy Grail. Audiences can expect flying cows, killer rabbits, taunting Frenchmen and show-stopping musical numbers ("Always Look on the Bright Side of Life," "Find Your Grail").
CATCH ME IF YOU CAN June 11 – June 16, 2013
A new musical from the team behind Hairspray! Based on the hit film and the incredible true story that inspired it, Catch Me If You Can is the high-flying, Broadway musical that tells the story of Frank W. Abagnale, Jr., who runs away from home in search of the glamorous life. With nothing more than his boyish charm, a big imagination and millions of dollars in forged checks, Frank successfully poses as a pilot, a doctor and a lawyer - living the high life and winning the girl of his dreams. A big big-hearted musical adventure based on an astonishing real-life story of being young, in love…and in deep, deep trouble!
FLASHDANCE July 9 – July 14, 2013
Based on the movie that defined a generation, Flashdance – The Musical tells the unforgettable story of Alex, a working-class girl from Pittsburgh striving to make her dreams of becoming a professional dancer a reality. Featuring a score including the hit songs from the movie, including the Academy Award-winning title song "Flashdance – What a Feeling," "Maniac," "Gloria," "Manhunt," "I Love Rock & Roll." Direction and choreography by Sergio Trujillo (Jersey Boys, Memphis, The Addams Family).
DISNEY'S THE LITTLE MERMAID July 23-28, 2013
In a magical kingdom beneath the sea, the beautiful young mermaid Ariel longs to leave her ocean home to live in the world above. Based on one of Hans Christian Anderson's most beloved stories, it's a hauntingly beautiful love story for the ages. The score features the classic songs by Alan Menken and Howard Ashman: "Part of Your World," "Kiss the Girl," and the Academy Award-winning "Under the Sea."
FOOTLOOSE August 5-11, 2013
One of the most explosive movie musicals bursts onto the stage with exhilarating results. When Ren and his mother move from Chicago to a small farming town, Ren isn't prepared for the rigorous local edicts, including a ban on dancing. To the rockin' rhythm of its Oscar and Tony-nominated top 40 score and augmented with dynamic new songs for the stage musical, Footloose celebrates the wisdom of listening to young people, guiding them with a warm heart and an open mind.
MISS SAIGON September 7-13, 2013
A classic love story is brought up-to-date in one of the most stunning theatrical spectacles of all time. In Miss Saigon, Puccini's Madame Butterfly is brought to the modern world. This powerful pop opera is an emotional tale about forbidden love, the tragedies of war and the sacrifices made to achieve the American Dream. Tony Award-winning musical Miss Saigon, created by the visionaries behind Les Miserables, features a touching love story told through a series of sensational musical numbers including "Why God Why?" and "The American Dream."
Monty Python's Spamalot is the outrageous musical comedy lovingly ripped off from the film classic "Monty Python and the Holy Grail." With music and lyrics by the Grammy-Award winning team of Eric Idle and John Du Prez, Spamalot tells the story of King Arthur and his Knights of the Round Table as they embark on their quest for the Holy Grail. Audiences can expect flying cows, killer rabbits, taunting Frenchmen and show-stopping musical numbers ("Always Look on the Bright Side of Life," "Find Your Grail").
CATCH ME IF YOU CAN June 11 – June 16, 2013
A new musical from the team behind Hairspray! Based on the hit film and the incredible true story that inspired it, Catch Me If You Can is the high-flying, Broadway musical that tells the story of Frank W. Abagnale, Jr., who runs away from home in search of the glamorous life. With nothing more than his boyish charm, a big imagination and millions of dollars in forged checks, Frank successfully poses as a pilot, a doctor and a lawyer - living the high life and winning the girl of his dreams. A big big-hearted musical adventure based on an astonishing real-life story of being young, in love…and in deep, deep trouble!
FLASHDANCE July 9 – July 14, 2013
Based on the movie that defined a generation, Flashdance – The Musical tells the unforgettable story of Alex, a working-class girl from Pittsburgh striving to make her dreams of becoming a professional dancer a reality. Featuring a score including the hit songs from the movie, including the Academy Award-winning title song "Flashdance – What a Feeling," "Maniac," "Gloria," "Manhunt," "I Love Rock & Roll." Direction and choreography by Sergio Trujillo (Jersey Boys, Memphis, The Addams Family).
DISNEY'S THE LITTLE MERMAID July 23-28, 2013
In a magical kingdom beneath the sea, the beautiful young mermaid Ariel longs to leave her ocean home to live in the world above. Based on one of Hans Christian Anderson's most beloved stories, it's a hauntingly beautiful love story for the ages. The score features the classic songs by Alan Menken and Howard Ashman: "Part of Your World," "Kiss the Girl," and the Academy Award-winning "Under the Sea."
FOOTLOOSE August 5-11, 2013
One of the most explosive movie musicals bursts onto the stage with exhilarating results. When Ren and his mother move from Chicago to a small farming town, Ren isn't prepared for the rigorous local edicts, including a ban on dancing. To the rockin' rhythm of its Oscar and Tony-nominated top 40 score and augmented with dynamic new songs for the stage musical, Footloose celebrates the wisdom of listening to young people, guiding them with a warm heart and an open mind.
MISS SAIGON September 7-13, 2013
A classic love story is brought up-to-date in one of the most stunning theatrical spectacles of all time. In Miss Saigon, Puccini's Madame Butterfly is brought to the modern world. This powerful pop opera is an emotional tale about forbidden love, the tragedies of war and the sacrifices made to achieve the American Dream. Tony Award-winning musical Miss Saigon, created by the visionaries behind Les Miserables, features a touching love story told through a series of sensational musical numbers including "Why God Why?" and "The American Dream."
The Magic Jazz Fairy is happy
All that turmoil, that was nearly a year ago, it mused. Surely,
everybody knew then, jazz in Kansas City would never survive all that.
But look at the venues today. Sure, the scene isn’t perfect. The scene
will never again be what it once was, decades back. But a year ago, who
expected this? A broad smile crossed its face, and it let its wings flap
lightly. Jazz in Kansas City certainly survived the turmoil.
more at kcjazzlark
more at kcjazzlark
Chuck Haddix, Marr Sound Archive interview by Joey Hill
The Marr Sound Archive on the ground floor
of the Miller Nichols Library houses Chuck Haddix, KCUR radio DJ,
director of the Archive and recipient of the Pinnacle Award for
Excellence in the Arts by the Johnson County Library. Haddix often asks
students who approach him, “What would you like to listen to today?” and
happily unearths the selection from the vast array of the Archive’s
material.
more at the University News
Hollie Howard "Broadway Dolls" preview by Kris Hilgedick
A local woman who made it big on Broadway is bringing her talents
back to the Capital City on Saturday with the all-girl musical revue,
“The Broadway Dolls.”
more at the News Tribune
more at the News Tribune
Thursday, October 25, 2012
"Shady Acres" Kansas International Film Festival submission by David Berry
ShadyAcres is a parody film produced for the 2012 KIFF Film Festival, winning 3rd place!!
KS Creative Arts Industries Commission grilled by state panel
Members of the Legislative Budget Committee grilled the director of
the newly formed Kansas Creative Arts Industries Commission on
Wednesday, asking him repeatedly why the agency hasn’t doled out any of
the nearly $700,000 appropriated by the Legislature last session.
more at the Topeka Capital Journal
more at the Topeka Capital Journal
Allison McKinzie, Kacico Dance interview by Michael Mackie
Kacico is a non-profit, professional dance company based right here in
Kansas City. Co-artistic director Allison McKinzie tells us what people
can expect to see at their upcoming fall concert.
Kauffman Center organ in action
Ever wonder what goes on inside the
massive Julia Irene Kauffman Casavant Organ? This video was taken
inside the organ behind the console and as the instrument is played, you
can see the movement of the tracker mechanism each time a key is
depressed. The performer is Dr. Jan Kraybill and the selection is the
finale from the Symphony No. 1 for Organ by Louis Vierne. Hear the organ
in its full glory at the recital by Dr. Richard Elliott Wednesday October 24th at 7 pm.
KC Repertory "Mystery of Imra Vep" preview by Steve Walker
The Kansas City Repertory Theatre's latest production, The Mystery of Irma Vep, features
eight characters of both sexes, including the Lord and Lady Hillcrest,
their maid and butler, and a couple of surprise visitors.
Because the license for the show stipulates that it can only be cast with two actors of the same gender, it requires a dizzying amount of split second costume changes that depend on both a skillful designer and dressers with laser focus.
more at KCUR
Because the license for the show stipulates that it can only be cast with two actors of the same gender, it requires a dizzying amount of split second costume changes that depend on both a skillful designer and dressers with laser focus.
more at KCUR
UMKC Theatre "Lady from the Sea" review by Meredith Shea
Written in 1888, Henrik Ibsen’s “The Lady
From the Sea” is a beautiful play where love, secrets and mental illness
are constant struggles witnessed by each character. Performed by UMKC
second year M.F.A. actors at the Spencer Theatre, the play showcases
genuine talents.
more at the University News
Gem Theatre 100th anniversary by Jabulani Leffall
It started as the Star Theater in 1912. Back then it was a one-story building presenting silent films. Just one year later it was renamed the Gem Theater.
more at Central Standard
more at Central Standard
Jerry Price, Missouri Contemporary Ballet interview by
I came in contact with Missouri Contemporary Ballet several years ago
through its Dancing with Missouri Stars fundraising event. I was one of
the celebrity dancers and found the experience to be beyond my
expectations.
more at the Missourian
more at the Missourian
Wednesday, October 24, 2012
Jen Greenstreet "Down Syndrome" interview by Michelle Davidson
A new film that focuses on the challenges people with Down Syndrome face
is set to premiere in the Northland tonight. Amy Allison is the
Executive Director of the Down Syndrome Guild of Greater Kansas City.
Jen Greenstreet is the director of Just Like You Films. They join us to
share why they want people to see the film.
UMKC Theatre "Lady from the Sea" review by kellyluck
On the Perils of Being Landlocked
Rating: 4
The Lady from the Sea
UMKC Theatre
For some little time now there has been an outlier hypothesis among a few renegade biologists and such that The Creature Eventually Known As Man spent a sizable amount of its development time in the sea. Adherents point to man's bipedalsim, relative hairlessness and so on as proof that we are an aquatic mammal come up to shore. This notion, which among biologists finds slightly less adherents then that of Prometheus creating humans from clay, nevertheless does find a certain appeal in the right minds. It seems we are drawn to the sea, after all: we explore it relentlessly; we congregate our major population centers next to it. We buy alarmingly expensive condominiums with views of it. Is it too soppy a notion to think that perhaps a little saltwater runs through our veins? And that our moods, our ecstasies, can be influenced by the shifting of the tide?
Take The Lady From The Sea, the Henrik Ibsen play now being performed by the UMKC Theatre: Ellida (Courtney Salvage) is trapped in a loveless marriage with Dr. Wangel (Logan Black), who married her shortly after losing his first wife. Every day she goes out and swims in the bay in their tiny tourist-trap town. There is kindness in the family, if not affection, but Ellida grew up on a lighthouse, the sea stretching away before her, and to be away from it is living death. Sensing this, the doctor sends for Arnholm (Michael R Pauley), who once tutored his two daughters, to cheer her up. But it is not until a ship comes in to the harbor bearing a Stranger (Antonio Jerron Glass) that the truth comes out: she fell in love with him, many years before, but he'd had to flee due to having killed his captain. In an impromptu ceremony, they tied their rings together and cast them into the sea, and he promised he would return and take her back. The rest of the play concerns Ellida's agony as she wrestles with herself, tries to decide between Wangel and the Stranger.
Ibsen of course is known as 'The Father of Realism', and with reason. He writes meticulous dialogue, lines stepping on each other, awkward phrases, the minutiae of everyday conversation are noted and faithfully reproduced. Done well, it can be quite affecting, and the group of student cast and crew assembled here does a commendable job. Special notice must be given to Mr Black, who brings an impressive maturity to his portrayal of the doctor and his anguish at being on the giving end of what is essentially a one-way relationship. Also there is Ms. Salvage, who manages to keep the histrionics right at the sweet spot. Also of note were Jessica Biernacki-Jensen and Janae Mitchell, who played Bolette and Hilde, Dr. Wangel's daughters by his first wife. They did a very good job bringing off the older/younger sibling dynamic, with Biernacki- Jenson's Bolette having taken the reluctant mantle of ersatz mother figure and Mitchell's Hilde still deep in the casual cruelties of childhood. Vincent Wagner is quite good as Lyngstrand, a conceited would-be sculptor down for the season, and Thomas E Tucker gives a very interesting Ballested--one rather wishes this character was not quite so sparsely used.
Technically, the show was very well presented. The sets by Kristen Yager were simple, and engineered so that transitions could be done swiftly and with minimum of fuss, which always meets with appreciation from this reviewer. Brandon J Clark's lighting design was very good, not just ably handling tricky water effects and dramatic scene setups, but subtle notes, like the gradual toning of light as the day approaches evening. Overall the production ran very smoothly, and came off very well.
Ibsen was a man fascinated by the sea, and by the ebb and flow of human interaction. In his other plays, he often came back to the theme of being trapped or to the complications between two married people. It's not a common choice for production, but a good one, and this reviewer for one appreciates the opportunity to see it here performed by a very talented group of students. Fans of Ibsen and modernism in general would do well to see for themselves this production before time washes it back out to sea and carries it away, as it must, indeed, do with all things.
The Lady from the Sea
UMKC Theatre
For some little time now there has been an outlier hypothesis among a few renegade biologists and such that The Creature Eventually Known As Man spent a sizable amount of its development time in the sea. Adherents point to man's bipedalsim, relative hairlessness and so on as proof that we are an aquatic mammal come up to shore. This notion, which among biologists finds slightly less adherents then that of Prometheus creating humans from clay, nevertheless does find a certain appeal in the right minds. It seems we are drawn to the sea, after all: we explore it relentlessly; we congregate our major population centers next to it. We buy alarmingly expensive condominiums with views of it. Is it too soppy a notion to think that perhaps a little saltwater runs through our veins? And that our moods, our ecstasies, can be influenced by the shifting of the tide?
Take The Lady From The Sea, the Henrik Ibsen play now being performed by the UMKC Theatre: Ellida (Courtney Salvage) is trapped in a loveless marriage with Dr. Wangel (Logan Black), who married her shortly after losing his first wife. Every day she goes out and swims in the bay in their tiny tourist-trap town. There is kindness in the family, if not affection, but Ellida grew up on a lighthouse, the sea stretching away before her, and to be away from it is living death. Sensing this, the doctor sends for Arnholm (Michael R Pauley), who once tutored his two daughters, to cheer her up. But it is not until a ship comes in to the harbor bearing a Stranger (Antonio Jerron Glass) that the truth comes out: she fell in love with him, many years before, but he'd had to flee due to having killed his captain. In an impromptu ceremony, they tied their rings together and cast them into the sea, and he promised he would return and take her back. The rest of the play concerns Ellida's agony as she wrestles with herself, tries to decide between Wangel and the Stranger.
Ibsen of course is known as 'The Father of Realism', and with reason. He writes meticulous dialogue, lines stepping on each other, awkward phrases, the minutiae of everyday conversation are noted and faithfully reproduced. Done well, it can be quite affecting, and the group of student cast and crew assembled here does a commendable job. Special notice must be given to Mr Black, who brings an impressive maturity to his portrayal of the doctor and his anguish at being on the giving end of what is essentially a one-way relationship. Also there is Ms. Salvage, who manages to keep the histrionics right at the sweet spot. Also of note were Jessica Biernacki-Jensen and Janae Mitchell, who played Bolette and Hilde, Dr. Wangel's daughters by his first wife. They did a very good job bringing off the older/younger sibling dynamic, with Biernacki- Jenson's Bolette having taken the reluctant mantle of ersatz mother figure and Mitchell's Hilde still deep in the casual cruelties of childhood. Vincent Wagner is quite good as Lyngstrand, a conceited would-be sculptor down for the season, and Thomas E Tucker gives a very interesting Ballested--one rather wishes this character was not quite so sparsely used.
Technically, the show was very well presented. The sets by Kristen Yager were simple, and engineered so that transitions could be done swiftly and with minimum of fuss, which always meets with appreciation from this reviewer. Brandon J Clark's lighting design was very good, not just ably handling tricky water effects and dramatic scene setups, but subtle notes, like the gradual toning of light as the day approaches evening. Overall the production ran very smoothly, and came off very well.
Ibsen was a man fascinated by the sea, and by the ebb and flow of human interaction. In his other plays, he often came back to the theme of being trapped or to the complications between two married people. It's not a common choice for production, but a good one, and this reviewer for one appreciates the opportunity to see it here performed by a very talented group of students. Fans of Ibsen and modernism in general would do well to see for themselves this production before time washes it back out to sea and carries it away, as it must, indeed, do with all things.
How Walt Disney designed the UMKC kangaroo mascot
Kasey the Kangaroo won’t be an endangered species even if UMKC undergoes a name change. Kasey is a historic mascot and represents
UMKC’s pride and history, dating back to 1936 when editors of the
school newspaper decided it was time to pick a mascot for the debate
team.
more at the University News
Theatre department petitions Chancellor over university name change
A petition urging Chancellor Leo Morton to
drop the UMKC name change proposal has received 104 signatures,
including all but one faculty member of the College of Arts and Sciences
Theatre Department.
more at the University News
"The 2012 Renaissance Festival: A Talk with the Maestro" by Angie Fiedler
This article is from the September 2012 issue of KC Stage
Jim Stamburger has been with the Kansas City Renaissance Festival for 32 of its 36 years. "I'm one of those people: I have really done almost everything you can do out here," he says - with just a bit of pride in his voice. "I started out in Shakespeare, and I have pushed the Unicorn up the wire and now know that the Unicorn's holder is exactly 1 1/2 inches taller than I can reach and I have to jump, I ran games and rides for a while, I was a shop person for a little while, and I've always been hawking .... I think the only thing I haven't done is cooked in the food booths."
Jim Stamburger has been with the Kansas City Renaissance Festival for 32 of its 36 years. "I'm one of those people: I have really done almost everything you can do out here," he says - with just a bit of pride in his voice. "I started out in Shakespeare, and I have pushed the Unicorn up the wire and now know that the Unicorn's holder is exactly 1 1/2 inches taller than I can reach and I have to jump, I ran games and rides for a while, I was a shop person for a little while, and I've always been hawking .... I think the only thing I haven't done is cooked in the food booths."
D'Anthoni Wooten performance
Recent jazz song 17 yr. old musician and producer D'Anthoni Wooten is currently working on. The song is untitled.
Chuck Haddix receives Pinnacle Award
Chuck Haddix, the University of Missouri-Kansas City's Marr Sound
Archives Director and beloved host of KCUR-FM 's Fish Fry, has received a
2012 Pinnacle Award from the Johnson County Library Foundation.
more at Infozine
more at Infozine
Tuesday, October 23, 2012
So Percussion performance with KJHK
So Percussion visited KJHK October 17th before their Lied Center performance the following day.
KC Society of Burlesque Farewell photos
The KCSOB has had a long wonderful run,
but even good things come to an end. We thank all our loyal fans and
look forward to the future!
Brian Baggett Trio "2012" review by Happy in Bag
2012? More like 1962. That was my inital reaction upon downloading the new release by the Brian Baggett Trio.
A mainstream guitar trio in the Jim Hall tradition with standards like
"God Bless the Child," "Angel Eyes" and "Stella By Starlight" seemed
like a pointless anachronism. Even so, I found myself repeatedly
turning to the project as I worked at my computer.
more at Plastic Sax
more at Plastic Sax
ArtsKC Fund to award local business for supporting the arts
The Arts Council of Metropolitan Kansas City is recognizing
six area businesses for their workplace ArtsKC Fund campaigns.
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/22/3879600/honors-for-support-of-the-arts.html?story_link=email_msg#storylink=cpy
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/22/3879600/honors-for-support-of-the-arts.html?story_link=email_msg#storylink=cpy
Columbia Entertainment Company "Rocky Horror" preview by Amy Wilder
So, 1973 called. This time they didn't ask for anything back. In
fact, they said we can hang onto Richard O'Brien's gender-bending,
science fiction/horror, rock opera/deranged romantic musical featuring a
singing, dancing, murderous transvestite alien mad scientist — and all
of the adjectives that go with it.
more at the Columbia Daily Tribune
and more here
more at the Columbia Daily Tribune
and more here
KC Symphony, Eighth Blackbird preview by Patrick Neas
For the last year, off and on, Eighth Blackbird, an
outstanding experimental music group, has been perched at the UMKC
conservatory as the Barr Laureate Ensemble. Members of the ensemble
coach students and give master classes. Now the rest of the city
will be able to experience the group’s unusual music when it joins the
Kansas City Symphony to perform a work written for them by Jennifer
Higdon.
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/20/3873447/symphony-to-feather-its-nest.html#storylink=cpy
more at kansascity.com
Read more here: http://www.kansascity.com/2012/10/20/3873447/symphony-to-feather-its-nest.html#storylink=cpy
Tosin Morohunfola "Shrek" interview by Michelle Pekarsky
Of course, most people know Shrek the Musical is a fairytale about an
unsociable ogre who embarks on a life-changing journey and discovers the
unexpected-that others can accept him just as he is.
more at Fox4KC
more at Fox4KC
Monday, October 22, 2012
Paranormal activity at the Alamo Drafthouse
Last night Paramount took over Alamo Drafthouse Mainstreet's main
window lobby in order to promote Paranormal Activity 4's release! Rooms
from each film were set up in each window space, and filled with local
actors to reenact everyone's favorite scenes. Shirts, hats, and posters
were given out as people walking past the theater in KCs Power &
Light District scoped out the event. Not only were we able to promote
the release of the film, but we were able to get a lot of you excited
about our grand reopening! We're looking forward to being able to bring
more events like this in the future!
KC Repertroy "Mystery of Imra Vep" preview
The Mystery of Irma Vep is now playing
at our Copaken Stage. Call 816.235.2700 or visit kcrep.org to reserve
your seats today! Starring Mark Robbins & Ron Megee, this show
features a dizzying array of lightning-fast transformations and costume
changes while quoting from a range of literary, cinematic and pop
culture sources. You don't want to miss this madcap romp!
Olathe Community Theatre "Much Ado About Nothing" review by BobEvans
Much Ado About Perfection
Rating: 5
Much Ado About Nothing
Olathe Community Theatre Association
Olathe Community Theater Association dove in head first after 39 seasons to produce their first Shakespearean play, and did they ever deliver a quality show. OCTA's Much Ado About Nothing is a wonderful romp through a Shakespeare comedy that involves humorous characters in a blend of mischief and mayhem to end with both a happy resolution and a happy audience.
Much Ado About Nothing
Olathe Community Theatre Association
Olathe Community Theater Association dove in head first after 39 seasons to produce their first Shakespearean play, and did they ever deliver a quality show. OCTA's Much Ado About Nothing is a wonderful romp through a Shakespeare comedy that involves humorous characters in a blend of mischief and mayhem to end with both a happy resolution and a happy audience.
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