Bryan Colley and Tara Varney’s daring, seminal
Hexing Hitler concerns five persons in the hinterland of Maryland who attempt to curse, or hex, Adolf Hitler in 1941. It is influenced by a
LIFE story during the war period. Director Tara Varney perceptively turns the play into a meditation on fascism, not on Hitler so much; save for some rather indirect vein. Thematically, it is not as
Der Untergang-like as it is
Tempest-like in terms of Machiavellian politics, magic, innocence, knowledge, and wrongdoing.
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