Ten strongly lit dancers dressed in soft hues stood downstage, perfectly spaced across the stage. One by one they stepped diagonally out of formation, legs scissored, one arm out and one back, until they formed a sort of human zigzag. Gradually each peeled off in a circular pattern and rushed upstage. All in total silence. Thus began
Moves, Jerome Robbin’s strikingly original “silent” ballet, which formed the center of a triptych of works comprising the Kansas City Ballet’s spring program.
more at The Independent
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