It’s often said that choreography begins with music, but the Kansas City Ballet’s upcoming spring season suggests that the situation is a bit more complex than that. In fact the program presents three works with three very different relationships to music: one that clearly grew out of a preexisting score (William Whitener’s
Mercy of the Elements), one in which dance and music were created together (Twyla Tharp’s
The Catherine Wheel Suite), and a third that uses no music at all (Jerome Robbins’
Moves).
more at The Independent
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