We should really think of “Titus Andronicus” as a guilty pleasure. And like any guilty pleasure, this play can be riveting when firing on all cylinders in performance — which the joyfully anarchic production at the Living Room does most of the time. The show is constructed around one of this city’s finest Shakespearean actors — Mark Robbins — and even when the show teeters on the edge of total collapse the artistic integrity of all involved keeps it upright.
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