Konstantin Lifschitz "Valentine from Bach" review by Erin Hales

Since its grand opening last September, the Kauffmann Center for the Performing Arts has delighted audiences and performers alike with its distinctive architecture and superior acoustics. On February 14th the Kansas City Chamber Orchestra and Konstantin Lifschitz highlighted the unique acoustic capabilities of the 1,600-seat Helzberg Hall in particular, since venues of this size can often obscure the delicate balance between instruments so crucial to smaller ensembles.

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