Konstantin Lifschitz "Bach Festival" review by John Heuertz
Despite the logic of period instrument performance, J.S. Bach's solo keyboard music is usually a good argument against it. Pianist Konstantin Lifschitz showed why at the Folly Theater this past weekend with a discursive, even philosophical reading of Bach's Two and Three-Part Inventions on Friday and Book II of The Well-Tempered Clavier on Saturday.
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