The Lyric Opera’s new production of The Marriage of Figaro is well-sung, confidently acted and executed with a deft comic touch. Whether or not you buy into its conceit of setting the opera as a contemporary backstage drama, the production is at least consistent—at times relentlessly so—in its transfer of Mozart’s and Da Ponte’s 18th-century master-servant conflict to that of a modern management-labor structure.
more at The Independent
No comments:
Post a Comment