Friday, July 27, 2012

KC Fringe "KC Magic Cabaret" review by RandomDude

Enjoyable for the Family
Rating: 4

Kansas City Magic Cabaret
KC Fringe Festival


We went to the Tues 6pm show with our young kids. They loved it. Three different magicians with three different styles. Audience participation was a hit with the kids. Make sure you put the kids in the front row so they can see. Definitely worth going to if you like magic.

KC Fringe "Skillet Tag" review by ansatsusha

Clever
Rating: 4

Skillet Tag
KC Fringe Festival


Skillet Tag was fun! Skillet Tag made me laugh uncomfortably.  Skillet Tag reminded me that I used hold "visioning" retreats, which I made my employees suffer through. And Skillet Tag made me thankful that none of them thought of killing the boss... I thought the cast and production were top notch.  In addition, I was impressed with the subtle humor and innuendo, which made the show a rich treat but I feel it could have been better without sex toy gags. Playing it up for the cheap seats can cheapen an otherwise excellent performance.  Barring this one criticism I encourage wage slaves and corporate drones to check this one out.

KC Fringe "Getting Lucky" review by RandomDude

Entertaining and Different
Rating: 4

Getting Lucky
KC Fringe Festival


Chalked full of sexual humor. Lucky is a good storyteller and keeps you entertained. Audience participation is fun. Lucky rolls with the show quite well and seems dedicated to putting on a good show. Worth seeing, but not a must-see show in my opinion.

KC Fringe "Kicking the Bucket" review by julius41

Don't miss it!
Rating: 5

Kicking the Bucket
KC Fringe Festival


If you've ever felt conflicted about your own mortality, Kicking the Bucket is well worth a visit.  The combination of storytelling and song is terrifically balanced.  The stories are funny and poignant; the songs compliment the stories very well, and the two performers are polished, engaging, and fun to watch.

KC Fringe "Stavrogin's Confession" review by badbarbie

The Horror
Rating: 4

Stavrogin’s Confession
KC Fringe Festival


Solid performances in a well-written adaptation of an excised chapter from Dostoyevsky's "The Possessed". Only quibble is that the main character was always addressed with his full name rather than his patronymic, which is jarring to those familiar with Russian plays and literature. Intense, classic theatre.

KC Fringe "Prairie Village Home Companion" review by kellyluck

A playful dual parody
Rating: 4

Prairie Village Home Companion
KC Fringe Festival


Let's face it, if you are heading into the Westport Center for the Arts' production of "A Prairie Village Home Companion," you are likely A) A resident of Prairie Village area or environs, B) a fan of Garrison Keillor's perpetual radio favorite, or C) both. As a long time resident of the B group, I was looking forward to an evening of affectionate parody and good music. What got was a gleeful skewering of suburban life.

The show is hosted by Jim Sturgill (complete with red sneakers--it's the little details that count) and Suzanne Welch (who I understand also wrote the show), assisted by various floor managers, sound effects technicians, and a two-person folk combo (Tenley Hansen and Michael Fraser). The show follows very much along the lines of a truncated Prairie Home Companion: there are narratives, parody commercials, musical performances, even the "news" from the neighborhood.

Generally speaking, the comedic pieces are very strong. Keillor's jabs at his stomping grounds are always more gentle prods, but the humor here is less nostalgic, more barbed. This is not to its disadvantage, I think--indeed, I love a good bit of satire. They have clearly spent their time in the trenches, and are taking a certain wicked glee in going after the social foibles of the hybrids-and-truffe-oil set.

The musical performances interspersed throughout the show consist mainly of folk performances from both foreign and domestic sources. Now, this reviewer must admit she's not the biggest fan of traditional music, and indeed tends to tune it out, but I must admit that the duo of Hansen and Fraser are musically excellent, demonstrating their virtuosity on multiple instrument through the course of the show. Even I--musical snob though I am--found my toes tapping of their own accord.

In terms of complaints, there is really one one issue I must address. In creating a show about a certain place such as this, it is inevitable that inside references are going to happen. They have generally done a good job of using humor that can be easily understood by outsiders or at the very least applied to the upper-middle-class suburban lifestyle in general, but inevitably there will be a few references that fly by. Well, no worries. As I said, they manage to keep this to a minimum. Also, it seemed to me that Mr Sturgill's performance was just a bit subdued, but this may be in imitation of Garrison Keillor's deadpan style.

All in all, they've done a pretty good job of bringing to the stage a parody of the longtime classic radio show. The same general wit is there, the music masterfully performed, and the pace smooth and unhurried in that midwestern sort of way. One almost wishes one could tune in regularly. A local version of "Companion"? Well, a girl can dream.

A Prairie Village Home Companion continues at the Unicorn Theatre

KC Fringe "Storms Beneath Her Skin" review by LLpass

Enlightening work of art
Rating: 5

Storms Beneath Her Skin
by KC Fringe Festival


A raw, unapologetic and informative show about being a transgender woman and going through the process of researching and deciding upon surgery. Rebecca is eloquent, open and has allowed who she is to color the art that she creates. I also appreciate that she held a Q&A post performance. This is a show that inspires bravery in all who see it, regardless of gender.

KC Fringe "Scarborough Fair" review by kellyluck

An affectionate musical tribute
Rating: 4

Scarborough Fair
KC Fringe Festival


Now you've got your Folkmen, your Spinal Tap, your Flight of the Conchords, even your Tenacious D. The parodic musical combo is a long and hallowed tradition, and comparisons are inevitable. But even that being said, it is good to see that the duo on stage at the Lyric Opera rehearsal space are doing an excellent job of carving out a space all their own.

Scarborough and Fair (no artist names given) area rambling duo of lifelong friends and musical-and-nothing-else-
honestly partners. Scarborough is the guitarist, Fair accompanying. They take us through a sort of Cook's tour of the works of Simon and Garfunkel, acoustic renditions interspersed with banter and audience interactions. Over the course of the show, the history of the duo is revealed, much to their chagrin and the delight of the audience.

Musically, the duo is very tight. They do an excellent job of performing the songs, generally sticking to the major hits. Their voices work together well, and there are some excellent harmonies going on. The show, typical of Fringe productions, is very lightweight, but the two performers ably demonstrated that a guitar and a handful of props are more than enough to keep an audience entertained when in suitably capable hands.

>From a critical standpoint, there is very little to complain about. About the only thing that really stands out to me is that the characters are rather similar to each other. When earlier in this review I planned to describe them and their differences, I found it surprisingly difficult: there is no "straight man" here: they are both flighty, folky, just a little off kilter from being around each other for most of their lives (not counting the two-hundred-something times they've broken up). I can see the reasoning behind this--I have seen what happens when you get two people around each other to the exclusion of everyone else for too long a time--but a little more distinction of personalities might well have been in order.

But this is a minor quibble. The fact remains that this is a thoroughly entertaining and well-done performance. Fans of Simon & Garfunkel will of course derive particular enjoyment from it, and anyone who enjoys a bit of comedy with their music--or vice versa--will find their time well spent. Scarborough Fair is a highly enjoyable production, and one which I can recommend quite gladly.