Long before the new (old) vogue for 3-D at the movies, the theater was all about it. Trap doors onstage, apparatus dropping from the ceiling, lighting and sound cues, sets moving and changing as in Terry Gilliam’s film homage to old-fashioned theatrics “The Adventures of Baron Munchausen”—indeed, the simple act of the actors on the stage, seemingly close enough to touch—all of it, when done right, registers as an experience that the audience feels it is a part of.
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